I am told my style is very recognisable. I tend to go back to the past by the use of ceramic components and I love natural colours with a haze of patina. Natural, resembling water, air, earth and aged metals. I am not sure what that je-ne-sais-quois is that observers notice when I show some of my work. Without telling them, some of my friends know what is mine.
I am into flowing lines, curves, spiralling necklaces that resemble shells and spiralling stair cases. My nickname among fellow lampworkers is Organic Girl. Even my baroque work with intricate stitching techniques has an organic feel. Plus the fact that everything is handmade to the coiled cords of the necklaces.
Crikey. It is a good question. I know what I like, but I also know what makes me grow as an artist. And that is sometimes deliberately going off my "style" into unknown territory. So perhaps my style is experimentation, the process, not the end result. Exploration of history and concepts like time. My work usually has hidden depth and meaning - I recently made a piece called Zeitgeist where all the components were either etched or patina'd to resemble the passing of time. The exploratory surgery of technique.
This is getting really philosophical isn't it? I suspect my style is complex, multilayered - it is about materials and how I can manipulate them to show what I want to show the observer. Clay that looks like glass, glass that looks like a mineral, porcelain that looks like metal. Pushing the boundaries of the materials. Asymetry and organic feel, blending of colour such that they become one with many facets. Mixing knotting with ceramic and metal work. That is what I like - engineering.
Most of the pieces I wear are ethnic inspired, old cultures such as the mayans, native american or aboriginal cultures. The sky is indeed the limit, I suspect I might still be finding out what my style really is after almost 9 years of beading.
When I do take a commission for someone else, I think about the person a lot, what is it for, what is he or she like, how will the piece be worn, what is the event? I usually make pieces for significant life events, which tell a story. Fortunately, I hardly ever get it wrong - I guess the customers come to me as the work touches a nerve.
But wherever this journey takes me, it will be fun!