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<?xml-stylesheet type="text/xsl" href="http://www.beadingdaily.com/utility/FeedStylesheets/rss.xsl" media="screen"?><rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:slash="http://purl.org/rss/1.0/modules/slash/" xmlns:wfw="http://wellformedweb.org/CommentAPI/"><channel><title>Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx</link><description>Design tips you can count on I always knew I was going to art school. I did not need math to be an artist. Guess what? Mom and Dad were right. Artists need math. Not algebra, thank the gods, just a grasp of numbers and relationships. At the very least</description><dc:language>en</dc:language><generator>CommunityServer 2008.5 SP2 (Debug Build: 40407.4157)</generator><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#72449</link><pubDate>Wed, 14 Apr 2010 01:04:51 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:72449</guid><dc:creator>barbed.wire</dc:creator><description>&lt;p&gt;One of my favorite reference books is Merriam Webster&amp;#39;s &amp;quot;Guide To Everyday Math&amp;quot;. &amp;nbsp;On page 87 it talks about The Golden Rule (the rule of three), and page 100 tells you how to make a &amp;quot;golden rectangle&amp;quot; from a square. &amp;nbsp;This all goes way back to Davinci, ratio and porportion. Love this book because it explains things in everyday terms, with practical applications.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=72449" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#70389</link><pubDate>Wed, 31 Mar 2010 05:24:13 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:70389</guid><dc:creator>Kitty@50</dc:creator><description>&lt;p&gt;Math! OH NO!!! I&amp;#39;m fine with the basics; whizzed thru various Econ classes; love developing various solutions using Excel; understand the geometry of a design (bead, floral &amp;amp; otherwise) &amp;amp; how geometric figures are part of design but have no head for the science &amp;amp; application of higher Math (hate it). My first job (HS) was in a flower shop &amp;amp; that&amp;#39;s where I learned the art of balance &amp;amp; design. Found it intriguing to see balance achieved by using odd numbers - and have to say I think &amp;amp; see things in terms of balance &amp;amp; the result I want to achieve, then the sequence (or &amp;#39;counting&amp;#39;) to get me there. Rarely have a completely symmetrical design. &lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=70389" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#69783</link><pubDate>Fri, 26 Mar 2010 16:11:09 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:69783</guid><dc:creator>candyT2</dc:creator><description>&lt;p&gt;When I first began beading 15 years ago, all my pieces were even and matched, a focal piece in the middle, one side a mirror image of the other. &amp;nbsp; Since then I have shifted to &amp;#39;wearable art&amp;#39; and begun introducing organic &amp;#39;found objects&amp;#39; into my creations. I lean more &amp;nbsp;toward a &amp;#39;Zen&amp;#39; odd-number asymmetrical style which draws more from the material itself instead of formulaic design. &lt;/p&gt;
&lt;p&gt;Works better &amp;nbsp;for me. &amp;nbsp;;~D&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=69783" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#69419</link><pubDate>Wed, 24 Mar 2010 03:04:00 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:69419</guid><dc:creator>Faewren</dc:creator><description>&lt;p&gt;Most of the math I use is in figuring out the length of things and how many best go from point A to point B. &amp;nbsp;It varies. And if I&amp;#39;m putting different sizes together I have to remember that if I&amp;#39;m using 4 of a larger size, I have to make sure I&amp;#39;m not doing 8 of a smaller size just for numbers. It&amp;#39;s better if the beads fit right instead of doing them for the similar numbers.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=69419" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#69065</link><pubDate>Sun, 21 Mar 2010 09:43:04 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:69065</guid><dc:creator>IrinaS</dc:creator><description>&lt;p&gt;indeed, I like odd numbers too: I work a lot with netting, so 7, 9 and 11 are my cornerstones ;-)&lt;/p&gt;
&lt;p&gt;but I was going to mention another way I use maths: geometry!&lt;/p&gt;
&lt;p&gt;be it a symmetric, or an asymmetric design I&amp;#39;m working on, I always keep in mind geometry rules: squared conscribing circles, triangles within diamond and squares, diamonds in overlapping hexagons...&lt;/p&gt;
&lt;p&gt;I meant to be a scientist and a poet, I only got to art later, when my creativity got too great for my science ;-)&lt;/p&gt;
&lt;p&gt;good article,&lt;/p&gt;
&lt;p&gt;thanks for sharing&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=69065" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#69008</link><pubDate>Sat, 20 Mar 2010 16:55:59 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:69008</guid><dc:creator>MaryH@172</dc:creator><description>&lt;p&gt;I&amp;#39;ll take it a litle step farther. &amp;nbsp;You should pick an ODD number. &amp;nbsp;(I&amp;#39;m with you Elen) I found long ago that when I did 5 braids in my ponytail, somehow everyone&amp;#39;s guess at how many were there was a lot bigger. &amp;nbsp;Odds have a symetrical center. &amp;nbsp;Even numbers always seem awkward to me and incomplete. &amp;nbsp;I do like the idea of the Fibonacci pattern. &amp;nbsp;I&amp;#39;ll have to try it in a crochetted piece.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=69008" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68951</link><pubDate>Sat, 20 Mar 2010 03:58:36 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68951</guid><dc:creator>Karo - Bead Poetry</dc:creator><description>&lt;p&gt;I tend to use 5 and 7 quite a bit, especially with netted designs. &amp;nbsp;Odd numbers always look better to me, I guess because the eye interprets the pattern as a &amp;quot;focal center&amp;quot; with equal numbers on each side.&lt;/p&gt;
&lt;p&gt;I&amp;#39;m really glad that Interweave is FINALLY coming out with online versions of magazines and patterns! &amp;nbsp;I&amp;#39;m really short on space, and what space I have is reserved for beads, so keeping all the back issues of my bead magazines just isn&amp;#39;t possible. &amp;nbsp;I hate cutting them up so I can keep certain patterns, but &amp;nbsp;I hate even more having to pay $4.00 for a project in a magazine that I subscribed to, one that I know I had but either can&amp;#39;t find or don&amp;#39;t have anymore. &amp;nbsp;Personally, I&amp;#39;d love it if I could just get the whole magazine online as each issue comes out, rather than getting paper issues. &amp;nbsp;The cost should be less because there&amp;#39;s no printing expense, plus it would save trees, and save me space! &amp;nbsp; It&amp;#39;s also much easier for me to organize things online, so I&amp;#39;d finally be able to find the back issues I wanted. &amp;nbsp;And if I wanted to print out patterns, no problem! &amp;nbsp;As much as I like those shiny, colorful paper pages, online magazines would be more practical and economical for me.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68951" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68901</link><pubDate>Fri, 19 Mar 2010 19:41:14 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68901</guid><dc:creator>Patriciakoko</dc:creator><description>&lt;p&gt;The Creative Jewelry issue looks interesting----BUT---I prefer paper copies and to not have to download and print things from my computer....it is available by mail or at my bead store? &amp;nbsp;Oh and math is necessary when shopping on line to determine about how many beads at 6mm come in a 16&amp;quot; chain...RIGHT?&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68901" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68887</link><pubDate>Fri, 19 Mar 2010 18:34:38 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68887</guid><dc:creator>42 Pieces by Ellen</dc:creator><description>&lt;p&gt;Thanks for the article. &amp;nbsp;What I find interesting is that, as much as most of us are prone to symmetry, odd numbers seem to work much better than even numbers in designs.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68887" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68853</link><pubDate>Fri, 19 Mar 2010 16:13:05 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68853</guid><dc:creator>Onentxx</dc:creator><description>&lt;p&gt;the rather boring operations we learn by rote in school are Arithmetic NOT mathematics. Pattern, symmetries and other abstract concepts ARE very much design related . Putting objects in sets IS very mathematical and very beadish ! I love counting and seeing patterns emerge within patterns - we don&amp;#39;t always know the math name, as most people never get the chance to study higher mathematics;&lt;/p&gt;
&lt;p&gt; but we all recognise the beauty. &lt;/p&gt;
&lt;p&gt; &amp;nbsp; &amp;nbsp; &amp;nbsp; The readers who commento prime number theory and Fib series are on the math track - keep going ,the beauty is there to discover!&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68853" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68837</link><pubDate>Fri, 19 Mar 2010 14:52:25 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68837</guid><dc:creator>Crista Galli</dc:creator><description>&lt;p&gt;Another number set you could try is Fibonacci (each number is the sum of the previous three): 1, 1, 2, 3, 5, 8, 13, 21, etc. This makes a nice arrangement of stripes in knitting, and I expect it would be nice in beads, too.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68837" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68836</link><pubDate>Fri, 19 Mar 2010 14:51:01 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68836</guid><dc:creator>Crista Galli</dc:creator><description>&lt;p&gt;Did you notice that the square pendant in Mixed Metal Magic is split into 9 sections? No wonder it works despite having 4 sides.&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68836" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68835</link><pubDate>Fri, 19 Mar 2010 14:24:59 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68835</guid><dc:creator>mysticwynd</dc:creator><description>&lt;p&gt;I love using obscure mathematics in my designs - but I almost always work with a combination of prime numbers (1,2,3,5,7). &amp;nbsp;I read somewhere that prime numbers create a harmony in the brain when viewed, and I&amp;#39;ve always tried to appeal to that!&lt;/p&gt;
&lt;p&gt;&lt;a rel="nofollow" target="_new" href="http://www.flickr.com/photos/mysticwynd/4445030927/"&gt;www.flickr.com/.../4445030927&lt;/a&gt;&lt;/p&gt;
&lt;div style="clear:both;"&gt;&lt;/div&gt;&lt;img src="http://www.beadingdaily.com/aggbug.aspx?PostID=68835" width="1" height="1"&gt;</description></item><item><title>re: Why Math Matters in Jewelry Design </title><link>http://www.beadingdaily.com/blogs/daily/archive/2010/03/19/why-math-matters-in-jewelry-design.aspx#68826</link><pubDate>Fri, 19 Mar 2010 13:14:25 GMT</pubDate><guid isPermaLink="false">e599e337-6bb7-4670-8e80-180f614937ac:68826</guid><dc:creator>OnyeN17</dc:creator><description>&lt;p&gt;Math? Oh Yes. &amp;nbsp;It&amp;#39;s literally the driving force behind any geometric/symmetric design. &amp;nbsp;I have no favorite number, per se. &amp;nbsp;I sometimes consult resources from the bead-math gurus when I bead (such as Diane Fitzgerald, Jean Power, Laura Shea, Judy Walker &amp;amp; Valerie Hector). &amp;nbsp;I can safely say that if I didn&amp;#39;t like math, I wouldn&amp;#39;t bead. &amp;nbsp;RAW &amp;amp; Triangle Weave are my favorite stitches. &lt;/p&gt;
&lt;p&gt;&lt;a rel="nofollow" target="_new" href="http://www.flickr.com/photos/onye/sets/72057594075054377/"&gt;www.flickr.com/.../72057594075054377&lt;/a&gt;&lt;/p&gt;
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