Daily Blogs : jewelry designs

Free eBook of Beaded Necklace Patterns

Leslie — Fri, 09 Oct 2009 10:59:00 GMT

Practice, practice, practice... with 5 free necklace patterns!

I recently chatted on the Beading Daily forums about whether we consider ourselves beginner, intermediate or advanced. Many people think being advanced means you get it perfect the first time, every time, but I beg to differ. No matter how many times I work in any technique, there are times when I can’t get it right the first time... or even the second time. Suddenly I forget a step, or I'm all thumbs. It’s usually a small thing–the way I complete a stitched row, a turn of the pliers… whatever it is, it’s enough to make me slap my forehead and say “D’oh!” I consider myself a bit of a pro in many techniques, and still have those d'oh moments!

So, like concert musicians who practice arpeggios in different keys and tempos, we jewelry makers can hone our skills by making designs in different mediums and techniques. Our Beading Daily eBook, 5 Free Beaded Necklace Patterns, has a wonderful selection and variety of techniques for you to "practice." And, though practicing our craft won't get us to Carnegie Hall, our finished jewelry sure lasts a lot longer than the sounds of a concerto!

Here's how to limber up:

Perfect your crimping and have some fun in a design with many sizes of beads in my clasp-free Big Island necklace.	Refine your use of jump rings to make chain maille, and attach a cool cord with wireworking in the Parallel Chain necklace by Barbara Hance.
Become more adept at right angle weave and string a beaded cord for your pendant in the Shining Example necklace by Marcella Austenfeld.	Work with a fast and simple design in wire, chain and beaded dangles in the Heart of Glass necklace by Terry Rhoades.

Enhance the style of a strung design by using multi-strand techniques,
seed bead fringes, and asymmetrical detail in
Dragonfly's Garden by Julia Watt.

Just click here to download your
Beading Daily eBook, 5 Free Beaded Necklace Patterns!

We love hearing from you! Be sure to chime in on the Beading Daily forums or comment below.

The Best of Stringing celebrates top designs from Stringing magazine!

Erin Carey — Wed, 23 Sep 2009 23:30:00 GMT

Here’s a little snippet of beady publishing history that you might find interesting...
In 2002 Interweave’s founder, Linda Ligon, and I sat in a hotel lobby in New York to discuss starting a new magazine that solely concerned stringing beads. It was a completely revolutionary idea at the time and, quite frankly, I thought it was a bit nuts; beadweavers like me often viewed stringing as our community’s wallflower cousin. She said she wanted a magazine that stretched people’s creativity, helping them explore new materials to expand their vision of what stringing could be. Her general edict was, “Make it beautiful, make it colorful, and I don’t want to see page after page of ‘bumps on a string.’ What I want is page after page of gorgeous pieces that you might find at a museum shop or gallery. No ‘safe’ jewelry in this one.”

When I got back to the office in Colorado, I broke it to the Beadwork magazine team (then Jamie Hogsett and Dustin Wedekind) that we were starting up a new magazine. It would include 100 pieces, have jaw-dropping work, and there could be absolutely no 'bumps on a string.' I think Jamie and Dustin thought the idea was a little crazy, too; we were all pretty beadweaving-centric at that time. In our discussion that day I sketched out some little drawings to explain what I think Linda was talking about. Miraculously, I found those sketches in a file cabinet in the basement this morning; and can share those first bright glimmers of Stringing with you now. Sometimes it pays to be a packrat!

We set off as a team to break out of our little design boxes and to bust up our notions of what stringing beads on a cord could be. The exercise produced 100 really nice pieces for our first special issue, and I know it gave us all a rich appreciation for the technique. Now, after 5 years, dozens of issues, and hundreds of gorgeous pieces later, I see Linda's idea for Stringing magazine was right on. I guess that's why she's the boss.

Danielle Fox, Stringing magazine's current editor, recently sent me a copy of The Best of Stringing, a fantastic issue with 183 projects--21 of which are brand new. She attached this note that made me tear up a little. This magazine, as well as the technique in general, has certainly "grow'd up" in the last several years, certainly past my little sketches. It's been due, in large part, to how bravely our community of designers, teachers, vendors, and publishers have embraced and experimented with this technique. We've gone far beyond 'bumps on a string', that's for sure.

Danielle had her own warm and fuzzy moment seeing this magazine come together: "I've been on the Stringing staff since its second issue. I'll tell you, it's been so much fun to watch and help the magazine grow. I'm really excited about The Best of Stringing because it brings together all of our favorite projects in a single edition. The hardest part was narrowing down our selections. What I think we came up with is a great mix of evergreen projects, the kind that inspire you again and again."

So I guess the challenge going forward, for all of us who love to string beads, is to continue to play and experiment, pushing the technique to unexplored creative highs. How will you contribute? What new stringing techniques or materials have you been using to make your work new and unique? What trends do you see around the bend? Why not share your ideas and thoughts below or on the Beading Daily forums?

Discover your jewelry-making style with a Beads, Baubles & Jewels video!

Leslie — Mon, 21 Sep 2009 20:28:00 GMT

My Style, Your Style!

We beaders love a challenge! The challenge of learning new stitches and twists on a technique. The challenge of that “blank page” moment when you spread out your beads and wonder what you’ll make. But the challenge we love most is seeing what happens when two or more beaders go to their respective beading corners with identical materials and create individual, personal pieces of beadwork.

Marlene Blessing and I are no exception and love beading challenges, too. In our new season of presenting on B eads, Baubles & Jewels on Public Television, we had loads of fun doing a “My Style, Your Style” segment that we approached just like a challenge. We started with identical materials, key charms in three metal finishes––pewter, sterling silver, and shibuichi, and an option to use a toggle that looked like a keyhole. The charms were designed by Greg Ogden and Cynthia Thornton at Green Girl Studios. Our mission was to use the same materials in our jewelry designs, knowing we had personal styles, then share the process we each went through to reach our final designs. So, read the scoop on our different style stories, and watch the video from the show!

How did we each approach our jewelry design plans?

Marlene: I wanted the grouping of keys to be front and center, clanking together like keys on a key ring. At first, I thought I would create a strung necklace for these charms, adding a great Green Girl heart toggle clasp (with a “key” for the bar, of course). Even though I was short on time, I changed my course. Seed bead weaving was the way to go. I wanted to mix the fabric-like texture of beadweaving with the hardness of metal. That’s where some anxiety crept in. I’m a slow stitcher. (And I don’t have Leslie’s great facility with seed beads.)

Leslie: Keys are such powerful symbols besides being cool shapes. The style of these specific keys made me think of medieval times, and the metal finishes reminded me of Renaissance Faire jewelry and armory. So, I chose to design a heraldic banner brooch. I knew I’d be using seed beads even though, like Marlene said, there wasn’t much time. I may be faster than the average beader, but I’m not that fast! So, I worked in my fastest stitch, peyote, and used larger sized cylinder beads, size 10º, which helped me finish even faster.

What else inspired us besides the key charms?

Marlene: I followed a tip from Jean Campbell about not reinventing the wheel (or the jewelry) and decided to recycle design elements from something I already made—then add new twists. I chose to do a tubular herringbone single strand with stripes like those in my Maggie’s Weave project in the August/September 2009 issue of Beadwork. I also wanted to use a design idea from a strung project I made for the Fall 2009 issue of Stringing.

Leslie: Since this piece had a story, the keyhole toggle of course had to be an actual keyhole in the beadwork. I used it as a design element with a paradoxical function. A keyhole to what? Did one of the keys open it? What does a lock in a banner open to? It may be bit of Alice in Wonderland—that’s the mystery and fantasy of keyholes. It instantly invites the question, what’s on the other side?

What gave each of our jewelry designs a Marlene or Leslie look?

Marlene: Probably my subtle asymmetry in the design. I think I'm a bit of a tease. I want my pieces to look very balanced, almost symmetrical. In this piece, I made sure the stripes were arranged asymmetrically, and the detail with the jump rings and hammered links was only on one side of the necklace. My style!

Leslie: And I'm just the opposite! I admire anyone who makes asymmetrical work, like Marlene does. It’s not easy. So I’m totally about symmetry. The only math I was good at was geometry, and I’ve always been inspired by geometric forms. My designs are very architectural, especially my seed bead work. Plus, speaking of not reinventing, I’d already engineered the type of piece I made for this challenge, having made other medallion, banner style pieces. Also, the colors of the keys were right up my alley: though I do use bright colors, I am more drawn to metallic and matte surfaces. My style!

How to find your style

As you see, Marlene and I developed personal styles only after we’d worked to grow a jewelry-making vocabulary. We’d already explored different techniques and materials, so we had many choices we could use. Beads, Baubles & Jewels is all about helping you build your own buffet, so you can develop your personal style, too. The teachers and designers on Beads, Baubles & Jewels are experts who show you what’s new in materials and tools; how to work techniques in wire, beadweaving, metals and more; and how to simply play as a designer. Find your style—or styles! So check out the sneak peek at My Style, Your Style, and be sure to pre-order the latest season of Beads, Baubles & Jewels for even more ideas and inspiration!

Did our key challenge open some doors to your own ideas? Share them with us!

Is Your Jewelry Design Finished? 5 Tips to Help You Decide

Erin Carey — Fri, 04 Sep 2009 12:00:00 GMT

A few short years ago I decided to quit my day job and attend culinary school. Okay, so it wasn’t exactly on a whim, but I had finally decided to follow my passion and learn the art of creating beautiful cakes and pastries. Although I learned how important it is to work neatly and to mise en place my ingredients ahead of time, by far the biggest—and most challenging—lesson I learned is what Chef Elizabeth called the Ta-Da moment. ...(read more)

7 Tips for Using Steel Wire in Your Jewelry Designs

Michelle M. — Wed, 20 May 2009 11:33:00 GMT

Does this ever happen to you? You wake up and feel the sudden need to start adding, say, starbursts to your designs. So you do. But then the weird thing is you start noticing starbursts everywhere. In other people’s beadwork . . . on T-shirts . . . wrapping paper . . . on the sides of buses . . . It’s like your great idea blossomed with everyone else overnight! We were talking about this phenomenon in a class I was teaching in Michigan recently and one of the students, Pam Nichols said, “Well, it’s just the Hundredth Monkey thing, right?” ...(read more)

Six Steps to Perfect Wrapped Loops

Michelle M. — Wed, 18 Mar 2009 09:43:00 GMT

Memory Tricks for Beading

Like you, I’ve taken classes of all sorts over the years. Most teachers use memory techniques to help you remember lists or a process. For instance, my piano teacher used the acronym (E)very (G)ood (B)oy (D)oes (F)ine so I could remember the lines of the treble clef; in 10th grade typing class I learned the pangram “The quick brown fox jumps over the lazy dog;” when my daughter learned to tie her shoes we sang SpongeBob’s "Loop Dee Loop" song; and in college the ne’er-do-wells who tore me away from my studies taught me “Over the lips and through the gums, watch out stomach, here it comes.”

These learning techniques are beneficial in jewelry-making, too. I remember walking down a hallway at Interweave’s BASH beading retreat in Estes Park, Colorado a long time ago and listening to wireworker Mark Lareau (author of All Wired Up and Getting Started Making Metal Jewelry) do the same thing—as I recall, he was using sound effects to the great delight of his students. And I know Joyce Scott has some pretty colorful imagery to explain peyote stitch increases and decreases.

This is what’s great about taking classes, isn’t it? Gathering tips and techniques from the pros--things you might not run across when working on your own—helps eliminate little technique obstacles so you can move on to bigger and better things in the future.

The Wrapped Loop Doo-Wop

Many of my class projects include both bead stitching and wirework and I find many off-loom-centric students aren’t that confident about their wirework skills. Most beadworkers could benefit from attending one of the many classes at Bead Fest Wire in Pennsylvania May 1-3, 2009. (I don’t even have to mention how much fun it would be for a wireworker; there are classes for every level of jewelry maker!) One technique that’s especially troublesome is the wrapped loop, so I think it’s high time we come up with a little memory technique for it, don’t you?

Make an L . . .
(Use chain-nose pliers to make a 90˚ bend about 1/4" from the top of the bead.)

And make a C . . .
(Using round-nose pliers, shape the wire over the top jaw to form a partial loop.)

Swing it under, tweedly dee . . .
(Move the pliers so you grasp the loop with the bottom jaw, and swing the wire under the loop so it crosses the neck.)

Wrap it tight all down the neck . . .
(Use chain-nose pliers (or your fingers) to wrap the wire in a tight coil down the neck.)

Trim it close . . .
(Flush cut the wire close to the coil.)

And squeeze like heck!
(Use crimping pliers to round out the coil, tucking in the tail wire.)

What do you think of that? Let me know on the website, and while you’re at it, share your bead-technique rhymes, ditties, and acronyms.

Free eBook
Making Wire Jewelry: 6 Free Wire Designs from Beading Daily

Create 6 stunning wire jewelry projects (2 wire necklaces, a wire bracelet, 2 pairs of wire earrings, and a wire ring) with this free eBook that contains step by step wire jewelry instructions for each project. Jewelry designs range in difficulty from beginner to intermediate and use a variety of wire work techniques, including spirals, coiling, wirewrapping, hammering, and twisting wire. Download Making Wire Jewelry: 6 Free Wire Designs from Beading Daily

Jean Campbell writes about beading and life every Wednesday on Beading Daily. If you have comments or questions for Jean, please post them on the website.

Create an Artsy Pinwheel Necklace

Michelle M. — Fri, 13 Mar 2009 11:07:00 GMT

Have you ever created a necklace with more than one focal bead? When I saw Katie Hacker's free Perfect Pinwheels necklace from Beadwork, I admired how she managed to use more than one large bead in her asymmetrical necklace. While I've combined smaller beads together to make larger pendants, I've never used multiple large focal beads in a single design. The key seems to be to use two different sizes of focals if you are placing them next to one another. Otherwise, spread them out throughout the necklace for balance....(read more)

3 Quick Tips for Dealing with Wire Warts

Michelle M. — Mon, 09 Mar 2009 11:30:00 GMT

If you're going to rate pesky problems in wire work, this one rates pretty high. Yes, wire warts are just what you think: those nasty little marks on the wire made with your pliers. After putting your best creative and technical skills into your design, it is so frustrating to see those unwanted and unintended marks! What can you do about it? ...(read more)

How to Finish (or Start!) Viking Knit

Michelle M. — Fri, 30 Jan 2009 12:29:00 GMT

Last weekend I took a break from my beads and tried my hand at Viking Knit, a type of wirework that creates beautiful wire cords that you can fashion into bracelets and necklaces. For months, I've been admiring some Viking knit bracelets the same way I admire a wonderful painting: Wow, I wish I could do that. ...(read more)

Create Oxidized Wire Post Earrings

Michelle M. — Fri, 23 Jan 2009 12:32:00 GMT

Some days (OK, most days) you amaze me! In the Reader Showcase area of the forums, I was blown away by Australian member Huan Pham who created the beautiful wireworked seahorse pictured here. Isn't it amazing? View the larger photo in the forums if you want to be impressed by his precise wirewrapping skills!...(read more)

The ABCs of Oxidizing Jewelry

Michelle M. — Mon, 19 Jan 2009 12:44:00 GMT

I don’t remember when I first became aware of sterling silver jewelry that was purposely NOT shiny. When I think of the hours I’ve spent over the years trying to shine up my sterling pieces! I bought every chemical, every cloth, every dip I saw that promised my jewelry would come out looking like new....(read more)

Create a Perfect Wire Spiral: Free Video Class

Michelle M. — Mon, 08 Dec 2008 04:51:00 GMT

Along with simple loops, the spiral was the first wire technique I learned. In fact, my mom still wears a pair of earrings that I created back then with 8mm black rounds and a silver spiral dangle. (I try not to cringe when I see them--my technique has greatly improved since then!)...(read more)

How to Wire Knit with a Knitting Spool

Michelle M. — Wed, 26 Nov 2008 06:41:00 GMT

If you’re like me, when someone asks you to make a piece of jewelry for them you automatically go to beads, findings, wire, and thread. But after reading through Elements of Style, I think I’ll open my mind a little wider next time. ...(read more)

Free Wire Spiral Earrings, Plus New Reader Gallery

Michelle M. — Fri, 07 Nov 2008 10:40:00 GMT

What makes a piece of jewelry a "winter" design? Is it jewelry type? I hardly ever create bracelets for winter because I know they'll just be buried under miles of sweaters and jackets. ...(read more)

Learn to Create Wire Jewelry on a Budget

Michelle M. — Fri, 24 Oct 2008 05:40:00 GMT

One of the things I love most about jewelry is the diversity it affords (no pun intended!). Sure, I drool over the Tiffany’s catalogs, and gawk at the windows in the Diamond District when I’m in New York City. But my favorite pieces of jewelry contain no gold and no precious stones. Instead, they’re made from rubber tubing, scrap fabric, lampwork beads, copper, steel, and craft wire....(read more)